ABOUT THE PLAY
Do good fences really make good neighbors?
Cultures clash when the new neighbors' plans for a “native garden,” along with a property line disagreement, threaten the perfectly pristine posies and a chance at a Horticultural Society Award for the long-time residents next door. Things turn into an all-out border dispute and no one comes out smelling like a rose when good intentions and bad manners bloom in Karen Zacarias’s brilliant comedy.
MEET THE CAST
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Maribel Martinez is a multi-hyphenate artist, proudly Black-Latina, with Dominican and Puerto Rican roots. She is part of the extraordinary artists that comprise Starving Artists US and is passionate about our mission to “nourish artists by redefining how original IP gets made and artists get paid.” She is also an Artistic Producer for the Dominican Artists Collective; she wrote and performed in DAC's "The Cooking Project,” presented by New York Theatre Workshop's Artistic Instigators virtual series in 2021.
Theater credits include recent Off-Broadway premiere of Bees & Honey (MCC Theater - HOLA Awards, Drama League nominations); the world premiere of Las Borinqueñas (Ensemble Studio Theatre); Will You Come With Me? (PlayCo); Julius Caesar (New York Shakespeare in the Park); and the World Premiere of Jose Rivera’s latest work The Hours are Feminine (INTAR); Regionally, she has worked at Shakespeare Theatre Company, American Conservatory Theater, Cincinnati Playhouse in the Park, Folger, People’s Light. Television: Evil (CBS), New Amsterdam (ABC), The Watcher (Netflix), Sacrifice (BET+), Dr. Death (Peacock). MFA, UC Irvine.
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Orlando Hernández has appeared in productions including Trinity Repertory Company’s Fuenteovejuna and A Christmas Carol, Spectrum Theatre Ensemble’s The Hotel Plays, Arte Latino of New England’s La Jaula de Las Locas, and Variety Life Productions’ Midsummer: A Shakespearience. He has served as an actor, choreographer, and adapter for Trinity Rep and Rhode Island Latino Arts’ bilingual collaboration Teatro en el Verano, and his play La Broa’ (Broad Street) just premiered on Trinity’s mainstage. Orlando also performs widely as a tap dancer, and has received grants and residencies from the New England Foundation for the Arts, Yaddo, the CUNY Dance Initiative, New York Live Arts, and the Center for Performance Research. He lives in NYC and is thrilled to be here at the Dorset Theatre Festival. www.orlyhernandez.com
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Sally Wingert has been a professional actor for over 40 years. Her national credits include the Broadway/West End production of La Bete. Regionally, Sally has performed at Arena Stage, ART, Yale Rep, The McCarter, Arizona Theater Company, Chicago Shakespeare Theater, Barrington Stage, Asolo Rep, and, most recently, The Alley Theater in Houston, where she was privileged to premiere a brand new Thornton Wilder play, The Emporium, completed by Kirk Lynn and directed by Rob Melrose. Sally has been in over 90 productions at the Guthrie Theater, including 2023's Murder On The Orient Express and The Importance of Being Earnest directed by David Ivers. Sally's home base is the Twin Cities where she has worked at Theatre Latte Da, Mixed Blood Theater, Ten Thousand Things, Six Points, The Children's Theater, The Playwright's Center, and many others. Her film work includes Fargo, North Country, Bent Hamer's Factotum, and The Straight Story directed by David Lynch. Sally is delighted to be working again with Tatyana-Marie Carlo and feels so lucky to be joining the Dorset Theater Festival for the first time.
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Tom Aulino is very happy to be making his DTF debut! His acting credits include work on Broadway, Vineyard Theatre, Public Theatre (including two lovely Shakespeares in the park), Second Stage, Playwrights Horizons, Lincoln Center Theatre, Chicago’s Goodman and Steppenwolf Theatres, Shakespeare Theatre (DC), Huntington (Boston), Kansas City Rep, Bay Street Theatre, and in his hometown at the Weston Playhouse. Tom was seen in the film Daughter of the Bride (2023), and on television in Three Women (Starz) and Law and Order. Tom is a graduate of Northwestern University (acting and directing) and University of Pittsburgh (performance pedagogy). He has taught acting at the Steppenwolf Theatre School, Rutgers (Camden), Auburn University, and Kenyon College.
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Trinity Rep: Don Pacheco, et al., La Broa’; u/s Bob Cratchit/Nephew Fred/Fezziwig, A Christmas Carol; Soldier, Sueño; Julio, America Too: Just Like Us (staged reading). Burbage Theatre: Cousin Julio, Motherf*cker with the Hat. Teatro en El Verano: Virgo/Balthasar, Much Ado About Nothing/Tanta Bulla…¿Y Pa Que?; Sebastian, The Tempest/La Tempestad; Samson/Ensemble, Romeo & Juliet. Other Theatres: Jesus, A Brief History of the Earth and Everything in It…; u/s Gatsby, The Great Gatsby; Claudio, Measure for Measure; Mr. Hopper, Lady Windermere’s Fan, The University of Rhode Island; Reader, National Theater Institute. Other: Arturo holds a BFA in Theatre with an acting concentration and a BA in English from the University of Rhode Island, as well as a Paralegal Certification from Roger Williams University. IG: @arthurpuentes
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Dorset Theatre Festival: Debut. Gloucester Stage Company: Vanya/Sonia/Masha/Spike, Tall Tales From Blackburn Tavern, The Huntington: John Proctor is The Villain, Actors Shakespeare Project: As You Like It, Commonwealth Shakespeare Company: Much Ado About Nothing, A Midsummer Night’s Dream, Moonbox Productions: The House of Ramon Iglesia, Gamm Theatre: Sweat, Lyric Stage Company of Boston: Fabulation, or the Re-Education of Undine, American Repertory Theatre: The Arboretum Experience, Hub Theatre Company of Boston: The Last Days of Judas Iscariot, Apollinaire Theatre Company: Romeo & Juliet, TV: Power Book II: Ghost (STARZ), S.W.A.T (CBS) Jaime is a founding member of Teatro Chelsea. Represented by: Kreativ Media Partners. jaimejosehernandez.com @jaimejose.hernandez
ABOUT THE CREATIVE TEAM
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Karen Zacarías was recently named by American Theatre magazine as one of the most produced playwrights in the United States. She is one of the inaugural resident playwrights at Arena Stage in Washington, DC, a core founder of the Latinx Theatre Commons, and founder of the award-winning Young Playwrights’ Theater (YPT), one of the best arts education programs in the nation.
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Named a “Broadway 2023 Industry Woman to Watch” by Broadway Women's Fund, Tatyana-Marie Carlo (ella/she) is a Latiné director from Miami. Her work is focused on joyful bilingual theater making, including Off-Broadway production of Vámonos at Intar Theatre. She is currently the Resident Director of Trinity Repertory Company, and has collaborated with many theaters across the United States, including Hartford Stage, Dallas Theater Center, Everyman Theatre, Children’s Theater Company, Intar Theatre, WAM Theatre, and more. 2019 Matt Harris Directing Fellow at Williamstown Theater Festival.2021 Drama League Public Works Fellow.Tatyana is an alumni and Adjunct Professor of Brown University’s Directing MFA program as well as a proud member of SDC. More info at: tatyanamariecarlo.com
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Rachel Ropella (she/her) is a Midwestern director and the Artistic Director of Minneapolis-based theater company, Melancholics Anonymous. She has spent the past five years creating award-winning new works for the Minnesota Fringe and Edinburgh Fringe, with remounts in London and Sibiu, Romania. She has previously assistant directed at Hartford Stage, Portland Stage, and starts her directing residency at Milwaukee Rep this summer. Rachel is an alumni of St. Olaf College, DirectorWorks, and the National Theatre Institute Directing program. Proud associate member of SDC. @rachel_ropella
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Rodrigo Escalante is originally from El Salvador and based in New York City. Select work includes: Once (Syracuse Stage) ; Vámonos (INTAR) Hola Award Outstanding Design Winner ; El Otro Oz (Atlantic Theater) New York Times Critic's Pick ; La Gringa (American Stage) BroadwayWorld Tampa Best Scenic Design Winner ; Queen of Basel (Theaterworks Hartford) ; Hunts Point Ensemble’s Romeo and Juliet (Public Theater and Hunts Point Alliance for Children) Featured in the 2023 PBS Documentary ‘The First Folio’ ; The African Company Presents Richard III (Great River Shakespeare Festival) , Romeo and Juliet (The New School) ; Fedra -Queen of Haiti (Barnard College), Our Town (University of Rochester) ; Always Patsy Cline (Great River Shakespeare Festival) and Cinderella (Cape Fear Regional Theater) for more info visit: www.rodrigoescalante.com
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Dorset Theatre Festival: Debut. Trinity Rep: La Broa’, The Inferior Sex, Tiny Beautiful Things, Fade, An Iliad. Brown/Trinity Rep: Death and the Maiden, References to Salvadore Dali Make Me Hot. Trinity/RILA: Tanta Bulla/Much Ado, La Tempestad, Romeo y Juliet. Other: The Gamm Theatre, Nantucket's White Heron Theatre, Wilbury Theatre Group, Contemporary Theatre Co. Education: BFA in technical theater, costume design, from the University of Rhode Island. Amanda has travelled nationally and internationally as a wardrobe supervisor for multiple national tours before returning home to Rhode Island and has spent eighteen years on staff at Trinity Repertory Company in Providence. She has been the Costume Director at Trinity Rep for nine years, but when she’s not neck deep in theater projects, she’s a crafty mom to two rascally middle schoolers. She lives in beachy suburbia with her boys, husband, and pup Pebbles.
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CAROLINA ORTIZ HERRERA is a Mexican-born and New York-based Lighting Designer for theater, opera, and dance. Broadway: Good Night, Oscar (Belasco & Goodman Theatre); Regional: American Mariachi (Alley Theatre & Arizona Theatre Company); Born with Teeth (Guthrie, OSF & Alley Theatre); Native Gardens (Dallas Theatre Center); Everything Rises (BAM & Royce Hall); 4000 Miles, & Doubt, A Parable (Westport Country Playhouse); I & You (Bristol Riverside Theatre); Macbeth (Merrimack Theatre Repertory); The Railroad Children (Northern Stage); Seven Guitars (Yale Repertory Theatre). Other theatre: Hedda Gabler & Winter’s Tale (Bedlam Theatre Company); Yellowman, an Audelco Awards Best Lighting Design Nominee (Billie Holiday Theatre); Sweeney Todd (Yale Drama) and The Skin of Our Teeth (Yale University Theatre). Dance & Opera: Cruzar la Cara de la Luna (Minneapolis Opera); I as Another (BAC); Florencia en el Amazonas (Shubert Theatre); and The Silent Lyre (Lighten Theatre). Carolina is the Lighting Director for Calpulli Mexican Dance Company. Education: MFA, Yale School of Drama. www.carolinaeortiz.com
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A proud son of immigrant parents, Germán Martínez is a Honduran-American based in NYC/NJ. Germán is a Montclair State University alum (2018), holding a degree in theatrical production and design with a concentration in sound. He has worked at: Lincoln Center Theater, Perlman PACNYC, Atlantic Theatre Company, Northern Stages, Ogunquit Playhouse, American Stages, Northern Stages, Intar Theatre, 59E59, TheaterWorks Hartford, Women's Project, Williamstown Theatre Festival, MCC, American Repertory Theatre, Repertorio Español, GALA Hispanic, George Street Playhouse, Two River Theater, and Trinity Rep. Associate Broadway credits include: Into The Woods (St. James Theatre); The Piano Lesson (Barrymore Theatre); and Ohio State Murders (James Earl Jones Theatre). Instagram: A proud son of immigrant parents, Germán Martínez is a Honduran-American based in NYC/NJ. Germán is a Montclair State University alum (2018), holding a degree in theatrical production and design with a concentration in sound. He has worked at: Lincoln Center Theater, Perlman PACNYC, Atlantic Theatre Company, Northern Stages, Ogunquit Playhouse, American Stages, Northern Stages, Intar Theatre, 59E59, TheaterWorks Hartford, Women's Project, Williamstown Theatre Festival, MCC, American Repertory Theatre, Repertorio Español, GALA Hispanic, George Street Playhouse, Two River Theater, and Trinity Rep. Associate Broadway credits include: Into The Woods (St. James Theatre); The Piano Lesson (Barrymore Theatre); and Ohio State Murders (James Earl Jones Theatre). Instagram: @GermanTheSoundDesigner.
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Judy Bowman has been casting with DTF since 2009. RECENT THEATER: Incendiary (Woolly Mammoth), Madeline Sayet’s Where We Belong (NY, PCS & tours), A Christmas Carol (McCarter), No Child (Kitchen Theatre Co), The Great Leap (Cleveland Play House), Sharon Playhouse, Palm Beach Dramaworks, etc. TV/FILM: Hallmark’s Redemption in Cherry Springs, Big
Dogs (Amazon), One Moment with Danny Aiello, Separation, Hurricane Bianca, Lost Cat Corona, Gold Star. Artios Award nominee for Best Webseries Casting, PT Barnum Award recipient. judybowmancasting.com
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Broadway: Les Liaisons Dangereuses; Off-Broadway: Ibsen’s Ghost, Dig, The Confession of Lily Dare (Primary Stages); Belfast Girls (Irish Repertory Theater); Hangmen, On the Shore of the Wide World (Atlantic Theater Company); Privacy, Julius Caesar (Public Theater); This Space Between Us, Molly Sweeney (Keen Company); By the Way Meet Vera Stark (Signature Theatre); Eureka Day (Colt Coeur); Superstitions, The Ding Dongs, Is Edward Snowden Single? (The Pool Plays) Select Regional: Hartford Stage Company, Dorset Theatre Festival, Oklahoma City Rep, George Street Playhouse, Hudson Valley Shakespeare, Yale Repertory Theatre; Avery holds an MFA from Yale School of Drama, and a BFA from Hofstra University.
SCHEDULE
WEEK ONE:
FRIDAY, July 12 - 7:30 PM (PREVIEW)
*SATURDAY, July 13 - 7:30 PM (OPENING NIGHT)
SUNDAY, July 14 - 2:00 PM
WEEK TWO
WEDNESDAY, JULY 17 - 2:00 PM
WEDNESDAY, JULY 17 - 7:30 PM
THURSDAY, JULY 18 - 7:30 PM
FRIDAY, JULY 19 - 7:30 PM
SATURDAY, JULY 20 - 2:00 PM
SATURDAY, JULY 20 - 7:30 PM
SUNDAY JULY 21 - 2:00 PM
NEWSROOM
ADVISORY: Native Gardens contains herbal cigarette smoke
RUNTIME: 90 Minutes with no intermission
Native Gardens is produced by Dorset Theatre Festival.
CLICK HERE to become a Season Sponsor.
Support for the 47th season is provided by the Rodgers Family Foundation, The James H. & Irene M. Hunter Charitable Trust, and the members of the Festival’s World Premiere Circle.