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M. Bevin O’Gara is an Associate Professor of Theatre at Boston Conservatory in Directing and Musical Theatre. She was the Producing Artistic Director at the Kitchen Theatre and spent most of her career at the Huntington Theatre Company in a variety of roles. 

As a Director credits include: Huntington Theatre Company, Denver Center for the Performing Arts, Cleveland Playhouse, Geva Theatre, Kitchen Theatre Company, SpeakEasy Stage, Company One, Actors’ Shakespeare Project, Lyric Stage Company, Central Square Theatre, Boston Playwrights’ Theatre, New Repertory Theatre, Boston Conservatory, Emerson College, and others. 

Bevin is the proud recipient of the Lois Roach Award for Outstanding Commitment to the Boston Theatre Community. She holds a BFA from Boston University. mbevinogara.com

Alexander is a multi-hyphenate, designer, educator, and artist for live performance in theatre, opera, and dance with credits all over, including seven seasons at the Dorset Theatre Festival, the world and Broadway premier of The Sound Inside, and of the ballet Their Eyes Were Watching God. Alexander is the head of Scenic Design at Dartmouth College and serves on the faculty of the David Geffen School of Drama at Yale. As a designer and educator Alexander is an avid proponent for advancing arts advocacy, exploring all aspects of our medium as a form for social change & a tool to shape the environment around us. Alexander is a member for the acclaimed Colt Coeur theatre company, and in recent years has served on the executive board for Wingspace, a non profit organization that promotes conversation on design and community, and furthers activism within the industry. MFA Yale. USA 829. Instagram @alexanderwoodwarddesign and alexanderwoodward.com.

3 productions of STILL (Colt Coeur Theatre & Dorset Theatre Festival.) Other designs include Morning’s At Seven, The Show-Off (Peccadillo Theatre), Crumbs From the Table of Joy (Juilliard School), It’s a Wonderful Life, Child’s Christmas in Wales (Irish Repertory), Theresa Rebeck’s Way of the World, Outside Mullingar, Mousetrap, Dial M For Murder (Dorset Theatre Festival), A Thousand Pines (Westport Country Playhouse), The Saintliness of Margery Kempe (Duke Theatre), Doctor’s Dilemma (Peterborough Players), Disgraced, Venus Rising (Northern Stage), Widowers’ Houses, Heartbreak House (Gingold Theatrical), Soldier (HERE Theatre), Trip to Bountiful, The Seafarer, Driving Miss Daisy (Capital Repertory), Clybourne Park (Barrington Stage), Tenderly, To Kill A Mockingbird, Raisin in the Sun (Weston Playhouse). She designed 43 shows at Pearl Theatre Company (NYC) which included Taste of Honey, Uncle Vanya, Figaro, Vieux Carre, Bald Soprano and is a recipient of a Princess Grace Award. www.barbarabellcostumedesign.com

Dorset Theatre Festival Debut: Lobby Hero. Wen Ling is based in the Bay Are. Her works can be seen across USA including Old Globe Theater, Center Theater Group, McCarter Theater Company, American Conservatory Theater, Hartford Stage, Theaterworks Silicon Valley, Denver Performing Arts Center, People’s Light Theater, Marin Theater Company, California Shakespeare Theater, Actors Theater of Louisville, Dallas Theater Center, Huntington Theater Company, Merrimack Repertory Theatre, Magic Theater, Center Repertory and San Francisco Playhouse. She got her BA from National Taiwan University and her MFA from University of California, San Diego. Website: wenlingliao.com

M.L. Dogg has designed for such companies as On the Boards, Second Stage Theatre,Seattle Children’s Theatre, UW School of Drama, Pony World Theatre, Swim Pony, Seattle Rep, Feast, Alley Theatre, Cherry Lane Theatre, Primary Stages, Actors TheatreOf Louisville, MTC Theatre, Folger Shakespeare Theatre, New Group, Women’s Project,Signature Theatre, New York Stage And Film, Huntington Theatre, Playwright’s Realm, Page 73 Productions, Playwright’s Horizons, American Repertory Theatre, Waterwell Productions, Colt Coeur, MCC Theatre, Geffen Playhouse, Long Wharf Theatre, Roundabout Theatre Company, Royal National Theatre, Debate Society, Ars Nova, South Coast Repertory, Pearl Theatre, Public Theatre, Milwaukee Repertory Theatre, 13P, Classic Stage Company, Shakespeare and Company, and Nicholas Ward Productions. Broadway: Becky Shaw; Gutenberg! The Musical!; Here Lies Love; Straight White Men; Oh, Hello On Broadway; The Pee-wee Herman Show. Lortel, fringeNYC awards; Tony, Outer Critics Circle, Drama Desk, IRNE, and IT nominee. Assistant Professor at the University of Washington.

Joe Gery has worked extensively in theater with Caparelliotis Casting since 2014, as well as with Meredith Tucker Casting in film & television. His most recent theater credits include the Broadway productions of Good Night and Good Luck, Grey House, Ohio State Murders, Sam Gold's Macbeth, and The Minutes, as well as off-broadway productions at Signature Theatre, New York Theatre Workshop, The Vineyard, and Ars Nova. Television credits include all three seasons of The White Lotus (HBO), Godfather of Harlem (EPIX), Ray Donovan (Showtime), and the final season of The Bold Type (Freeform). 

Other Desert Cities (Dorset Theatre Festival); King Lear (La MaMa); Calf Scramble (Primary Stages), Choreomania 1518 (Playwrights Realm); Nikolai Gogol's The Inspector, Escaped Alone (Yale Rep); Three Sisters, Dindin, Buried Child, Liv at Sea (Harbor Stage Company). MFA, David Geffen School of Drama at Yale University. Thank you to Megan for marrying me.