Bio coming soon…

Bio coming soon…

Sasha (she/her) is a theater scenic designer and artist inspired by family and how spaces tell stories. Selected designs: Off Peak (59e59), My Cousin Nelu is Not Gay (The Brick), What the Constitution Means to Me (City Theatre), Heisenberg (Northern Stage), Dear Jack, Dear Louise (Virginia Theatre Festival), Kentucky (Pittsburgh Playhouse), the dance floor, the hospital room, and the kitchen table (Kelly Strayhorn Theater), The Devil is A Lie (Quantum Theatre). Recognition: 2023 Prague Quadrennial Featured Emerging Designer, 2022 Theatre Communications Group Rising Leaders of Color Cohort, 2019 Lloyd Weninger Award for Stage Design, 2019 USITT Young Designers Forum, 'Mixed Family Portrait' featured at Pittsburgh MuseumLab. Sasha is an advocate for inclusivity and accessibility within theater teams and more representation of BIPOC and queer voices in the arts industries. Education: BFA Carnegie Mellon University School of Drama. www.sashaschwartzscenic.com

Philly based, recent designs include: sandblasted (Theatre Horizon), Red Riding Hood (Arden Theatre Co), Head Over Heels (Theatre Horizon), One-Man Nutcracker (Theatre Exile), KrymovLabNYC (La MaMa), The Mousetrap (Hartford Stage), TOWN (Theatre Horizon), Letters You Will Not Get (American Opera Project), Threshold of Brightness, It is a Comfort to Know (Beth Morrison Productions), Ni Mi Madre (Rattlestick Theater), Zoetrope (Exquisite Corpse Company), Coop (Paradise Factory), At Black Lake (The Tank), Twelfth Night (Two River Theater Little Shakes), Who’s Afraid Of Virginia Woolf? (Triad Stage), Stinney: An American Execution (Prototype Festival), Twin Size Beds (The Public Theater). Company Member of KrymovLab NYC. Resident Artist with Exquisite Corpse Company. Artistic Team member of Rattlestick Theater. Founding member of BDLP. Proud member of USA 829. MFA Yale School of Drama. www.KristaSmithLD.com

Megumi is a NY-based sound designer. Her credits include DORSET: Laughing Wild, Queen of the Night. OFF-BROADWAY/NYC: The Light in the Piazza (Encores!), Regretfully, So the Birds Are (Playwrights Horizons), The Nosebleed (LCT3), for colored girls who have considered suicide/when the rainbow is enuf (Public Theater), The Life (co-design, Encores!), The Gett (Rattlestick), Romeo and Juliet (NAATCO), Signature Theatre, Ping Chong + Company. REGIONAL: Cambodian Rock Band (co-design, at Alley, Berkeley Rep, Arena Stage, and 5th Avenue/ACT), Studio Theater, Woolly Mammoth, Everyman Theatre, Arena Stage, Alley Theatre, Geva Theatre Center, Long Wharf, Yale Rep, Cincinnati Playhouse in the Park, Kansas City Rep, Denver Center, Berkeley Rep, Two River Theater, Chautauqua Theatre Company, Virginia Stage Company, Skylight Music Theatre, and more. MFA Yale School of Drama.

has been casting with Dorset Theatre Festival since 2009. RECENT THEATER: Kerrigan/Lowdermilk/Lauren Gunderson’s Justice (Arizona Theatre Co.); Madeline Sayet’s Where We Belong (Woolly Mammoth tour); Lloyd Suh’s Bina’s Six Apples (CTC/Alliance); Mike Lew’s Teenage Dick (Woolly Mammoth/Huntington/Pasadena); Antigone, Light It Up, and The Three Musketeers (Cleveland Play House); and A Christmas Carol (McCarter). TV/FILM: Hallmark’s Redemption in Cherry Springs, Big Dogs season 1(Amazon), One Moment with Danny Aiello, Separation, Hurricane Bianca, Lost Cat Corona, Gold Star. Artios Award nominee for Best Webseries Casting, PT Barnum Award recipient. Former faculty with Columbia University’s MFA film program, Harlem School of the Arts, & NYU/Strasberg. www.judybowmancasting.com

Playwrights Horizons is dedicated to cultivating the most important American playwrights, composers, and lyricists, as well as developing and producing their bold new plays and musicals. Tim Sanford became Artistic Director in 1996 and Leslie Marcus has been Managing Director since 1993. Under their decades of leadership, Playwrights builds upon its diverse and renowned body of work, counting 400 writers among its artistic roster. In addition to its onstage work each season, Playwrights’ singular commitment to nurturing American theater artists guides all of the institution’s multifaceted initiatives: our acclaimed New Works Lab, a robust

commissioning program, an innovative curriculum at its Theater School, and more. Robert Moss founded Playwrights in 1971 and cemented the mission that continues to guide the institution today. André Bishop served as Artistic Director from 1981-1992. Don Scardino succeeded him and served until 1996. Over its 47-year history, Playwrights has been recognized with numerous awards and honors, including six Pulitzer Prizes, 13 Tony Awards, and 39 Obie Awards.